Eliza Bonet
Mezzo-Soprano
F E A T U R E D R E V I E W S
"Bonet's voice, taut as black leather, ascends to triumphant top notes over snaking leitmotifs..."
- Opera News
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" Mezzo-soprano Eliza Bonet (Mistress Salome) and bass-baritone Matthew Treviño (The Client) were perfectly paired, providing musical power and dramatic excellence. On every level, this was a captivating performance."
- Opera News
"The "modernization" for Berta, gave Eliza Bonet a great opportunity to show off. Her scene is perhaps most ingenious of the show and was widely applauded."
- El Nuevo Herald
"Most notable was Eliza Bonet...it was a ditty that totally sparkled under Bonet’s uninhibited delivery."
SF Classical Music Examiner, examiner.com
"As Eunice Hubbell, mezzo-soprano Eliza Bonet sang with a full bright sound and much warmth."
mercurynews.com
"...caricatures will battle for your attention every inch of the way, especially mezzo-soprano Eliza Bonet as Tisbe; Vocals, facial expressions and all-around physical humor shine throughout..."
PNJ.com
“Noémie (Katy Lindhart) and Dorothée (Eliza Bonet)...steal every scene they're in.”
​WFPL News